The Importance of Being Earnest2012
The Importance of Being Earnest2012
In this first Tom Adams/Bill Scott musical, Frankenstein built a creature out of body parts stolen from a cryogenic laboratory. The story was peppered with songs that would do any 1950’s musical proud but followed the same relentless path to disaster as Mary Shelly’s original. First Miracle show for Ciaran Clarke and Holly Cassidy, who played the creature’s bride, at the same time as providing a live score from a mobile piano.
A faithful (though invisibly trimmed) interpretation of Wilde’s perfectly formed and funniest play.
A co-production with English Touring Opera featuring a large community chorus and Ben Luxon as a Cornish mine owner on the brink of financial ruin, at the mercy of fraudulent bankers and itinerant opera singers. Week-long runs at 4 venues in Mining Heritage Sites from Botallack to Tavistock and at the Hall for Cornwall. This show was subsequently adapted into a feature film also called ‘Tin’.
Tin2012
Tin2012
The Importance of Being Earnest2012
Frankenstein!2012
Frankenstein!2012
Tin2012
Tin2012
Tin2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
The Importance of Being Earnest2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Frankenstein!2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
Tin2012
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